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Mass of St. Peter

Lullay Jesu

Introit for Passiontide

voor SATB koor en 2 percussionisten

A Christmas Carol voor SATB Koor, orgel, fluit en tambourijn

voor SATTBB koor a capella

Music by Malcolm Dedman

Music by Malcolm Dedman

Music by Malcolm Dedman 

     

Moeilijkheidsgraad: 3/4

Moeilijkheidsgraad: 3/4

Moeilijkheidsgraad: 3 

Duration: 07:00

Duration: 05:15

Duration: 01:10 

 MassOfStPeter

 LullayJesu

 IntroitForPassiontide

     

Partituurvoorbeeld

Partituurvoorbeeld

Partituurvoorbeeld 

 

This is a setting of the Holy Communion Mass in the Anglican Church’s Series 2 version. It was originally written for St Peter’s church in Ealing, West London, England in 1976 and was performed during the Communion Service. It met with varied response as some parishioners were extremely wary of the use of percussion, at that time only in sections of the Gloria.   

  

The incorporation of the controversial percussion parts stemmed from hearing a Southern African priest talk of how music was used in his church, especially how joyful it was to hear. Indeed, it is with a spirit of joy, he said, that we must praise God. Now that I am living in South Africa, I feel it is my duty to revise this Mass setting, making it more practical and adding further percussion parts to the Sanctus and Benedictus as well as the final anthem.   

  

This setting of the Mass includes a Ninefold Kyrie, Gloria, Sanctus and Benedictus, Agnus Dei and omits the Credo, but it adds a setting of Psalm 117 (Jerusalem Bible version) as an anthem, ‘Summons to Praise’. If sung liturgically, this anthem may be sung at any suitable point during the service, but as the Mass may also be performed in concert, it would seem appropriate that it should conclude this setting, thereby presenting a final spirit of joy.  

 

 

  Malcolm Dedman 

 

 

 

This Carol is a setting of a traditional English text and the style is appropriate to the assumed age of this text. It is scored for SATB choir, flute, tambourine and organ with parts for soprano and tenor solos. It was first performed at St Philips Church in Earls Court Road, London (UK) and may be sung either liturgically or during a concert.   

 

   Malcolm Dedman 

 

 

This introit was written in 1976 and revised in 2010. It is based on the traditional plainsong setting of the Kyrie from the Requiem Mass. It is written for unison choir, which may be all trebles, all male or mixed voices, plus organ. It last just over two and a half minutes.  

  

The organ part develops the plainsong melody in trio form in counterpoint to the choir, which sings the original plainsong unmodified. 

 

 

 

Malcolm Dedman 

 

     

 Prijs: € 12,70 Inclusief BTW

Prijs: € 17,85 Inclusief BTW

Prijs: € 03,93 Inclusief BTW 

Per exemplaar

Per exemplaar

Per exemplaar 

     

Bestel en Betaal Informatie 

Bestel en Betaal Informatie

Bestel en Betaal Informatie 

     

Minimale afname 8 exemplaren 

Minimale afname 8 exemplaren

Minimale afname 8 exemplaren

Percussipartijen worden apart meegeleverd 

(1x partituur, 8x stemmen, 1x tamboerijn, 1x fluitpartij)

 

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